The festival is just past its halfway mark, and my batting average for films is sadly quite low, although everything I’ve seen thus far has been very good. I’m averaging just over a film a day, but now that things have settled down, I’m going to try to make up for that in the (just under) half of the festival that is left!
In Order of Disappearance (a.k.a. Kraftidioten) Blending Scandinavian bleakness with bloodied black comedy, this is an excellent story of haplessness and thuggery. Stellan Skarsgård amuses as a man on a mission, and Pål Sverre Hagen is magnificent as the Count, the spidery, foppish archvillain. I particularly loved the visual motif of white powder (snow, flour, cocaine) blowing about, a constant reminder of the shifting and insubstantial foundation for all the film’s deaths, as well as the biting social critique of Norwegian culture and politics.
Small Gauge Trauma I caught the majority, but not all, of the program this year, and as always, it was a challenging and captivating experience. Particularly wrenching, though incredibly beautiful and well made, was Canis, a Spanish stop motion animation of unrelenting heartbreak. I also loved Baskin, a snapshot of Turkish terror that explores a Satanic house of horrors, and, excitingly, is in the process of being turned into a feature.
I Am A Knife With Legs Proving that technical excellence can easily take a backseat to clever writing and well spun story, this DIY gem is a clear indicator that outsider art is alive and well. With a ridiculous storyline, funny musical numbers, artful animations and clever jokes, this film’s flashes of brilliance turn into a strobe light that leaves the audience stunned and confused, but utterly delighted.
Let Us Prey I absolutely loved this film, despite its imperfections. Burning slowly for its first half and then maniacally shredding itself to pieces in the second, there are a few lines of cheesy dialogue and some over the top characterizations, but none of that matters thanks to a compelling storyline and excellent performances, particularly by Liam Cunningham as the enigmatic prisoner in cell six. There’s also a setup for a sequel here, which has the potential to be absolutely amazing.
Dead Snow: Red Vs. Dead Picking up where the original Dead Snow left off, this sequel delivers more of the same. Laughs, gore, pacing problems, and of course, Nazi zombies, it’s all back in part two. The American characters are somewhat superfluous, although Martin Starr is a welcome addition to any film, but overall this film is a bit tighter than the first, and a solid, if silly, addition to the zombie film canon.
The Creeping Garden It’s difficult to describe how excellent this film is, but stoners will likely let out a collective “whoa” if they get a hold of this incredibly unique, bizzarely specific film. The chemically unenhanced will be enchanted as well, as they step through the looking glass into a world populated by creeping, pulsating, slimy looking growths, and the artists, scientists and musicians obessed with their potential. Don’t let “this is a documentary about slime mold” deter you; yes, it’s definitely that, but it’s so much more.
BTW, The Creeping Garden screens again this afternoon at 3pm in the De Sève theatre, and is absolutely worth cutting out of work early for. Trust me.
A screening has also been added for Cybernatural, which I reviewed in my first review round up, and which is absolutely not to be missed. Do yourself a favor, and get a ticket to the 9:45pm screening tomorrow night, also in De Sève.